LLM Tools to visualize the provenance of the artworks

Annotated Bibliography:

1. Kirkham, R., & Martin, C. (2023)

Title: Text mining the history of art: Opportunities and challenges for large-scale, long-term data extraction
Source: Digital Scholarship in the Humanities, 38(3), 1322-1345
DOI: Link
Annotation:
This paper explores the opportunities and challenges of text mining within art history, focusing on extracting and structuring data from historical records. It provides a critical overview of methods like named entity recognition and relationship extraction, which are essential for generating structured datasets from raw text. The article is particularly useful for understanding the foundational methodologies required for applying large language models (LLMs) in provenance studies.


2. Beretta, M., & Leal, C. A. S. (2018)

Title: Data models for the cultural heritage domain
Source: Digital Applications in Archaeology and Cultural Heritage, 10, e00079
DOI: Link
Annotation:
This article presents data modeling techniques tailored to the cultural heritage sector, with an emphasis on graph-based and relational approaches. The insights are critical for designing databases and ontologies that align with network analysis requirements. It also provides practical examples of how structured data models can enhance the representation and analysis of provenance information.


3. Getty Research Institute

Title: Provenance Research FAQ
Source: Link
Annotation:
The Getty Research Institute's FAQ page is a practical resource for understanding the basics of provenance research. It outlines the core concepts, terminologies, and standard practices in the field. While not a research paper, it serves as a foundational reference for aligning computational approaches with the traditional methods of provenance studies.


4. Manovich, L. (2021)

Title: Network Dimensions in the Getty Provenance Index
Source: Link
Annotation:
This report discusses the application of network analysis to the Getty Provenance Index, illustrating how relationships between artworks, collectors, and locations can be visualized and analyzed. It provides a conceptual and practical framework for network-based approaches, which can be complemented by LLM-based structuring of text data. This is highly relevant for understanding how provenance data can inform larger narratives about cultural and economic networks in art history.


5. Scholz, R., et al. (2013)

Title: Network Analysis on Provenance Graphs from a Crowdsourcing Application
Source: ResearchGate
Annotation:
This study explores the use of network analysis in understanding provenance data collected through crowdsourcing. The paper demonstrates the construction of provenance graphs and their interpretation using network metrics. It provides a case study approach that could guide the integration of structured text data into meaningful network visualizations and analyses.

ER Diagram

Demo Showcase

Demo Output Data

Joseph von Dufresne († 1767), Munich ; par héritage, son frère, Franz Ignaz von Dufresne ; sa vente, Amsterdam, 22 août 1770, no 121 ; acquis à cette vente par Nicolas Boileau (1720-1785), antiquaire, Paris ; acquis de ce dernier par le duc de Choiseul (1719-1785), Paris ; sa vente, Paris, 6 avril 1772, no 127 ; Nicolas Boileau (1720-1785), antiquaire, Paris ; prince de Conti (1717-1776) ; sa vente, Paris, 8 avril 1777, no 553 ; acquis par Alexandre Paillet (1743-1814), expert et antiquaire ; comte de Vaudreuil (1740-1817) ; sa vente, Paris, 26 novembre 1787, no 34 ; J. Desmarets ; Charles Claude Flahaut de la Billarderie, comte d’Angiviller (1730-1809), directeur général des Bâtiments de Louis XVI ; saisi à la Révolution, 1793 (A.N., F17 1032, no 26).

[
    {
      "Year": 1767,
      "SourceOwner": "Joseph von Dufresne",
      "AcquireOwner": "Franz Ignaz von Dufresne",
      "HowAcquire": "Inheritance",
      "TransitionNumber": null
    },
    {
      "Year": 1770,
      "SourceOwner": "Franz Ignaz von Dufresne",
      "AcquireOwner": "Nicolas Boileau",
      "HowAcquire": "Auction (Amsterdam, 22 August 1770, no 121)",
      "TransitionNumber": 121
    },
    {
      "Year": 1770,
      "SourceOwner": "Nicolas Boileau",
      "AcquireOwner": "Duc de Choiseul",
      "HowAcquire": "Private acquisition",
      "TransitionNumber": null
    },
    {
      "Year": 1772,
      "SourceOwner": "Duc de Choiseul",
      "AcquireOwner": "Nicolas Boileau",
      "HowAcquire": "Auction (Paris, 6 April 1772, no 127)",
      "TransitionNumber": 127
    },
    {
      "Year": 1777,
      "SourceOwner": "Nicolas Boileau",
      "AcquireOwner": "Prince de Conti",
      "HowAcquire": "Private acquisition",
      "TransitionNumber": null
    },
    {
      "Year": 1777,
      "SourceOwner": "Prince de Conti",
      "AcquireOwner": "Alexandre Paillet",
      "HowAcquire": "Auction (Paris, 8 April 1777, no 553)",
      "TransitionNumber": 553
    },
    {
      "Year": null,
      "SourceOwner": "Alexandre Paillet",
      "AcquireOwner": "Comte de Vaudreuil",
      "HowAcquire": "Private acquisition",
      "TransitionNumber": null
    },
    {
      "Year": 1787,
      "SourceOwner": "Comte de Vaudreuil",
      "AcquireOwner": "J. Desmarets",
      "HowAcquire": "Auction (Paris, 26 November 1787, no 34)",
      "TransitionNumber": 34
    },
    {
      "Year": null,
      "SourceOwner": "J. Desmarets",
      "AcquireOwner": "Charles Claude Flahaut de la Billarderie",
      "HowAcquire": "Private acquisition",
      "TransitionNumber": null
    },
    {
      "Year": 1793,
      "SourceOwner": "Charles Claude Flahaut de la Billarderie",
      "AcquireOwner": "French State",
      "HowAcquire": "Seized during the Revolution",
      "TransitionNumber": 26
    }
  ]

Cédé par Voyer avec son pendant à Claude-Alexandre de Villeneuve, comte de Vence (1702-1759), vers 1751, les deux Philosophe étant déjà cités chez Vence par Dezallier d’Argenville (1752) et Descamps (1754) ; gravé en 1754 par L. Surugue comme Philosophe en contemplation, le pendant l’ayant été en 1753 ; vente après décès du comte de Vence, Paris, 9-16 II 1761, n° 39 (en pendant au n° 38, avec notice commune pour les deux tableaux à vendre séparément) ; non vendu, car choisi par Voyer dans le legs de deux tableaux de cette vente que lui avait fait Vence ; cédé par Voyer, sans doute peu après, à Étienne-François, comte de Stainville, duc de Choiseul (1719-1785), ministre de Louis XV pour être bientôt réuni à son pendant (Koninck, INV. 1741) ; gravé avec ce dernier par Baillie en 1771 dans le Cabinet Choiseul ; vente Choiseul, Paris, 6-10 IV 1772, n° 7 ou 8 (pendants indifférenciés : « deux petits tableaux connus sous le nom de philosophes ») ; Donjeux, marchand d’art à Paris. – P. P. L. Randon de Boisset (1709-1776), Paris ; sa vente après décès, Paris, 27 II-25 III 1777, n° 49 (pendants sous le même numéro) ; Perrin pour Millon d’Ailly, neveu de Randon de Boisset ; J. H. Fr. de Paule de Rigaud, comte de Vaudreuil, Paris ; sa vente, Paris, 24 XI 1784, n° 28 (pendants sous le même numéro) ; acquis à cette vente (avec le pendant) par A. J. Paillet, marchand d’art à Paris, pour Louis XVI ; exposé à l’ouverture du Muséum (Louvre) en 1793, cat. n° 60, Un philosophe en méditation (cf. Dubreuil).

  [
    {
        "Year": 1751,
        "SourceOwner": "Voyer",
        "AcquireOwner": "Claude-Alexandre de Villeneuve",
        "HowAcquire": "Private acquisition",
        "TransitionNumber": null
    },
    {
        "Year": 1761,
        "SourceOwner": "Claude-Alexandre de Villeneuve",
        "AcquireOwner": "Voyer",
        "HowAcquire": "Chosen by Voyer in the inheritance of Vence",
        "TransitionNumber": 39
    },
    {
        "Year": 1772,
        "SourceOwner": "Voyer",
        "AcquireOwner": "Étienne-François, comte de Stainville, duc de Choiseul",
        "HowAcquire": "Private acquisition",
        "TransitionNumber": null
    },
    {
        "Year": 1772,
        "SourceOwner": "Étienne-François, comte de Stainville, duc de Choiseul",
        "AcquireOwner": "Donjeux, marchand d’art à Paris",
        "HowAcquire": "Auction (Choiseul sale, Paris, 6-10 April 1772, no 7 or 8)",
        "TransitionNumber": 7
    },
    {
        "Year": 1777,
        "SourceOwner": "P. P. L. Randon de Boisset",
        "AcquireOwner": "Perrin for Millon d’Ailly",
        "HowAcquire": "Auction (Randon de Boisset sale, Paris, 27 February - 25 March 1777, no 49)",
        "TransitionNumber": 49
    },
    {
        "Year": 1784,
        "SourceOwner": "Perrin for Millon d’Ailly",
        "AcquireOwner": "J. H. Fr. de Paule de Rigaud, comte de Vaudreuil",
        "HowAcquire": "Auction (Vaudreuil sale, Paris, 24 November 1784, no 28)",
        "TransitionNumber": 28
    },
    {
        "Year": 1784,
        "SourceOwner": "J. H. Fr. de Paule de Rigaud, comte de Vaudreuil",
        "AcquireOwner": "A. J. Paillet for Louis XVI",
        "HowAcquire": "Acquired with pendant at Vaudreuil sale",
        "TransitionNumber": null
    },
    {
        "Year": 1793,
        "SourceOwner": "A. J. Paillet for Louis XVI",
        "AcquireOwner": "French State",
        "HowAcquire": "Displayed in the Louvre in 1793",
        "TransitionNumber": 60
    }
]